The Ritmüller pianos excel in every individual part of their construction, and leave absolutely nothing to be desired. There is no doubt that the firm of W. Ritmuller & Sohn will soon take up the foremost position amongst the German makers, a position which is due to their excellent manufacture, and which no connoisseur will venture to deny them. Dr. Hans von Bülow, Conductor, Virtuoso Pianist, and Composer
For a company known to be one of the first manufacturers of pianos in Göttingen, Germany, there is a dearth of public records regarding its lineage. What is notable must be culled from accounts in old German history annals, scraps of counterfactual entries in books on piano makers, and the like—which points to a rich, as yet undiscovered narrative. What we can gather, like most piano origins, is quite fascinating.
Renown for its great composers and musicians, Vienna grew to prominence in the early days of the Classical Period (1750 to 1830), attracting the likes of Haydn, Mozart, Beethoven, and Schubert, to name only a few.
Through sheets of rain, faint percussive sounds echo from the right. Though anxious, she follows the sound. She walks at a quick pace while the scenery passes slowly. She enters a corridor full of niches. One by one in an endless procession. Figures move about, in and out. The kaleidoscopic geometric pattern converges to form a solitary monk. A large owl sits upon his shoulder. The owl has unusually large talons and the face of Van Cliburn.
The European piano-building tradition goes back hundreds of years, with more historical territory and context than any other region can claim. This explains why so many discussions about pianos often focus on European methods and brands, and to what degree this lineage is preserved. In fact, the modern piano inherits centuries of keyboard innovations, a prolific evolution advanced by the confluence of extraordinary composers, performers, and piano builders—all laboring to extend the sound and range of the instrument.
We are what we repeatedly do. Excellence, then, is not an act, but a habit.Will Durant, Summarizing the Ideas of Aristotle
It is said that to have a mastery of anything, one must put in at least 10,000 hours of practice. Whether you have a natural talent or dogged determination, the playing field is even if you are willing to put in the time and effort it takes to excel and become a life-long learner.
Often the toughest part of establishing a regular routine is just getting started. (Even the most ardent, passionate people go through this. If settling down to practice were easy, we wouldn’t be discussing this right now!) There will always be distractions. Passing by the piano and not stopping. Getting preoccupied by all our entertainment options. Snuggling on the sofa with a warm beverage. Sometimes not knowing how to begin can be the most overwhelming reason to deter one from beginning.